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Of course, weaknesses and contradictions are also fun in any character!

So I think ultimately it worked out well, making Mary palatable to all and truly relatable to many women.

Likability was still a huge issue in network TV then. But in 1969, when they were pitching this show, likability was paramount.

They were already pushing boundaries by making her a single career woman, so it was important for her to have some weaknesses.

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If you grew up in the 1970s, chances are you remember watching The Mary Tyler Moore Show on Saturday nights, most likely with other female members of your family.

So even though The Mary Tyler Moore Show doesn’t get the distinction of being the first single-girl show, there has to be a way to explain why it’s seen as such a watershed for feminism on TV.

If you look her up and see what she looks like at 75, you’ll want to eat raw, too.

When you write a book like this, you have to think out these labels pretty carefully because if you say anything is the first or the last or the greatest, someone somewhere is going to find a fact that contradicts it. No, That Girl beat it, but That Girl had just one single girl as its main character, and she was constantly surrounded by and dependent on the men in her life — her boyfriend and her dad.

She also didn’t really have a job; she was an aspiring actress.

Gail Parent – I love what a long and amazing career she’s had, from a bestselling novelist to writing for The Golden Girls to writing Lindsay Lohan movies.

You can see why talking to all of these women was so inspiring.